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    • RIFF 2011
    • Mandalas
    • Logos and brand marks
    • Book design
    • Various posters
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    • Whales + Enemies
    • Without destination
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    • Heimasætan
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    • Graphical study
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Børk - Making of
2012
Art Direction, Branding, Illustration
The process behind my final project at the Iceland Academy of the Arts. Sneak peak at some sketches, out-takes and the ideology behind the branding and the company in general.
  • Børk
    The process of my final project
  • About the project

    For my final proje
    ct at the Iceland Academy of the Arts I chose to create and brand a creative studio and make a gift wrapping paper series. I wanted the company and the gift wrapping series to be Scandinavian in look and theme. The branding part includes naming of the company, logo design and graphical elements, packaging for the products, website,stationery and business-card design. For the gift wrapping series, I had to research Scandinavian graphic design, capture it and portray it according to my understanding of it. 
  • The name

    The name I chose for the creative studio is Børk, short for Börkur or Bark as in tree-bark and usage of the logo around corners in signage and in the stationary package is a reference to the initial meaning of the name, i.e. to cover or conceal something. The reason for using a "Danish" Ø in the name is to emphesize on the Scandinavian origin, as the letter Ø is used only in Scandinavian countries except for Iceland and Sweden, while the Ö used in Iceland can also be found in Germany, Hungary, Turkey, Azerbajan and elsewhere and is therefor not as Scandinavian letter as the Danish version.

  • Logo - Sketching process
  • Grid and guides
  • I wanted the logo to be simple and free from any major style indicator of what was to be expected in the product line. Other than the fact that this is a creative studio and that the company focuses on Scandinavia in it's style and theme, I want the style portrayed in the product line to be broad in that sense and not limited by a design decision in the branding of the company.  
  • Usage and graphical elements
  • By tilting the logo by 45°, the line crossing the Ø becomes vertical or horizontal. I decided to use the line crossing the Ø as a graphical element and use it as a folding line for the identity. Given that the name refers to cover, conceal or wrap around something, I think that the logo should too.
  • Graphical elements - Usage
  • For the stationary, business cards, envelopes and cd envelope, the logo and the folding lines create the visual interpretation of concealing something in a simple way.
  • The gift wrapping paper comes in two different sizes, 50x70cm and 70x100cm. The paper is sold in triangular holsters. During the exhibition, some visitors mentioned that this would be a good gift, raising the weird question, whether the gift wrapping paper + holster would need additional gift wrapping paper.
  • Børk gift wrapping paper
  • For the gift wrapping paper, I set out to use scandinavian theme or input and illustrate them in a Scandinavian style. Usually gift wrapping paper consists of seamless patterns, making them perhaps easier to use for wrapping in gifts, but my goal was to make gift wrapping paper that could work as a poster as well. My approach for the arrangement, balance and layout of the images was to make a center, top and bottom, making the orientation of the piece more clear when used as a poster. It also gives the option of making a part of the illustration as a center piece on a gift.

    My inspiration varied from Marimekko, Siggi Eggertsson, Brita Sweden, Ferm Living, Heydays and Grandpeople to name a few. My interpretation of Scandinavian graphic design comes down to simplicity, use of simple forms and/or distortion of shapes. 
  • Color Palette
  • The idea is to have an annual collection, differentiating itself with a changing color palette. The colors I use have a festive tone to them without becoming seasonal.
  • For the animal series, the biggest challenge was to make the animals recognizable using only circles and triangles in the most simplistic way possible. All the animals can be found in Scandinavia.
  • Børk paper in a frame. 
  • Out-takes
  • Some proposals I did but decided not to use for the exhibition. They may however become available later on.
  • Exhibition
  • The graduation exhibition of the Iceland Academy of the Arts took place at the Reykjavík Art Museum between 21. april and 6. may 2012.
  • News and updates on my facebook page
    Retailers interested in selling the gift wrapping paper contact Børk here

    Thank you
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  • Reykjavík Forms
    Finding and framing forms in every day life is an excellent eye training.
    Digital Photography, Photography
    2012
  • Børk
    My final project at the Iceland Academy of the Arts. Børk is a Scandinavian creative studio that designs patterns and artworks to use on items such as gift wrapping papers, blankets, pillows and wallpapers.
    Branding, Graphic Design, Illustration
    2012
  • Circles in circles
    Circular experiments seem to have endless possibilities. These are a few of them.
    Graphic Design, Illustration, Pattern Design
    2012
  • Self Portraits
    Slowly evolving, but nevertheless, ongoing series of self portraits of myself. Self portraits are, if successful, a presentation of the self. I am apperantly not very flamboyant.
    Photography, Digital Photography
    2011
  • Thorsteinn Beer Brand
    School project at the Iceland Academy of the Arts. We were to make a branding proposal for a microbrewery in Iceland and we decided to make 10 different bottle designs for the one and the same beer brand.
    Package Design, Graphic Design, Branding
    2011
  • Reifier
    Series of a photo manipulation done at the Icelandic Academy of the Arts. Chairs and tables rearranged into an installation piece and then digitally manipulated.
    Digital Photography, Photo Manipulation, Installation Design
    2011
  • Untitled
    For this project, I was assigned to make a exhibition catalog and a poster for a fictional exhibition at the Living Art Museum (Nylo) in Reykjavík, Iceland. The exhibition would cover the graphics works of Dieter Roth.
    Editorial Design, Graphic Design, Print Design
    2010
  • RIFF 2011
    RIFF, the Reykjavik International Film Festival, is Iceland's number one film event with more than 25.000 guests annually. We were asked to design the 2011 campaign which drew record numbers.
    Branding, Photography, Costume Design
    2011
  • Mandalas
    "Mandalas are a symbolic offering to and of the entire universe, represented primarily by the circle and its center point of the axis mundi."
    Digital Art, Graphic Design, Pattern Design
    2009
  • Logos and brand marks
    My collection of logos and brand marks I've done since 2006.
    Branding, Graphic Design, Typography
    2012
  • Book design
    Thorleifur and Geir did the editorial-, infographic- and cover design of this politic & economics book. We were excited by the challenge of making copy-heavy material and complex statistics look at it's best.
    Editorial Design, Graphic Design, Pattern Design
    2012
  • Various posters
    Various posters and artworks, school projects and personal works, silk-screen printed, digitally printed, painted or hand drawn from 2006 - 2011
    Graphic Design, Typography
    2011
  • Ásmundur
    Typography course at the Icelandic Academy of the Arts. This typeface is inspired by Le Bifur by Cassandre and is a tribute to Icelandic sculpture artist Ásmundur Sveinsson.
    Typography, Graphic Design
    2011
  • Whales + Enemies
    This 3D poster was a part of a school project at the Iceland Academy of the Arts. We were supposed to find something worth protesting. Me and my team wanted to create awareness in Iceland about whale killings.
    Crafts, Graphic Design, Installation Design
    2010
  • Without destination
    Me and my friend Hörður Ellert Ólafsson went on a photography road trip around Iceland in June 2010 to capture the Icelandic landscape at night on the brightest time of the year here in Iceland.
    Photography, Photojournalism, Digital Photography
    2010
  • BW Mandala
    Black and White Mandala seen up close and in some detail.
    Graphic Design, Digital Art, Pattern Design
    2009
  • Heimasætan
    School magazine for Kvennaskólinn in Reykjavík. Editorial design and cover design done by Thorleifur Gunnar Gíslason, Geir Ólafsson and Hrefna Sigurðardóttir.
    Graphic Design, Editorial Design, Illustration
    2011
  • Heritage
    This is one of my 1st semester projects, done for a course called Heritage, where students are sent to a museum to discover our heritage of pattern design, trace it and place on a tea set.
    Graphic Design, Pattern Design, Illustration
    2010
  • Graphical study
    A school project for the Iceland Academy of the Arts. I was to make a personal map. I ended up with a graphical voyage, developing my graphical identity in the process.
    Graphic Design, Typography, Branding
    2010
  • Mundane landscape
    Being a passenger in a car driving long distances in Iceland can be a weird visual experience.. the landscape changes rapidly and you are likely to drive through all sorts of weather on the way.
    Photography
    2011
All works © Þorleifur Gunnar Gíslason 2012.
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